Pink Petunias

I finally forced my dear patient friends into giving me a deadline for this group quilt.  It's been dragging along for many months, probably close to a year, while all of us went through life changes, vacations, family emergencies, etc.  As of May I was the last one not finished with my section, and others have stepped in to take over the section of member number six, who bailed early in the process.

I admit I was not very motivated to finish. I have never done a group quilt, and I'm by far the most inexperienced of the group.  I was not entirely sure how to approach it, but figured it would have to end up being fused.  Over the past year, I've come to realize that fusing, and realism, are definitely not the direction I want to explore.  So I was motivated to do a good job for the group, but nervous about making a mess.  So, wonder of wonders, I actually am done early!  Well, okay, before the cheers go up, I'm not really done.  I'm done fusing.  I now have to stitch it down, and add some stitching lines for lines in the flowers.  Which I'm even more worried about.  But I have tonight and tomorrow for that.

So, here's a little photo essay of some elements.  I am always lazy about process photos, but you get the idea...

Here's a print of the photo we selected, taken by one of our members.  I drew the lines on it in Photoshop, trying to make the sections interesting shapes, and to give everyone at least one flower.

I enlarged the photo and printed it on our large format printer at work.  (Being an architect has some advantages!) I honestly can't remember now what the final size was, my piece seems to be about 15" x 18" maybe.  I know I had to print multiple sheets, because I wanted each person to have a little of the adjacent section, to see what they were matching up to.

I dawdled around for a long time doing de-saturations, posterizations and other stuff in Photoshop to try and figure out how I would construct everything.  I ended up making 6 different layers, gradated from light to dark, printing each on a separate piece of paper (not shown) so I would know which areas were to be light, medium light, etc.    

Then I made a full-size tracing outlining each piece.  This is the master-tracing and alignment map, that does not get cut up.  Then I traced other pieces on separate pieces of tracing paper and cut out the shapes.  Except for some where exactness really didn't matter, those I eyeballed.

I built up the assembly piece by piece on a Teflon sheet (most of the time, I occasionally fused things to my cutting board and drafting table, that didn't work nearly as well).  Then I laid the whole thing over a piece of lightweight muslin which had been prepared with Mistyfuse, and ironed it down.  Little tidbits of fusible were added to temporarily hold the layers together, but the stitching is intended to be the permanent attachment.

And here's where it now stands.  I have extended my pieces at least an inch beyond my border to allow for assembly.  I'm not sure how that's going to work, but we will hash it out on Wednesday.  

I'm generally pretty happy with it.  I also spent a lot of time fussing with the 3D bud in the lower left, but never ended up with anything I really liked.  It looks pretty lame now, but the side and bottom will be cut off and I hope that will help.  And some stitching, or quilting.  I also am not happy with the lower right flower section.  For the one on the upper left, I was able to use the directionality in the hand-dyed fabric to mimic the veins in the flower petal.  I didn't have a piece that would do that for the lower right. So I'm going to have to rely more on stitching. 

So that's what I've been up to.  After Wednesday, I'll be back to my own projects, and one of my first goals will be to get backing and batting ready for about four or thirteen different tops that are languishing, and start practicing my machine and free-motion quilting skills.